Bernardo Bellotto's magnificent View of the Grand Canal provides a rich visual record of life in eighteenth-century Venice. This painting one of the most popular in the Getty Museum is so sweeping in its scope and so detailed that it requires repeate...

Reassessing the complex career of one of the most influential yet controversial experimental artists of the early 20th century, this volume of essays looks at the prolific painter, designer, architect and photographer, El Lissitzky (1890-1941), who w...

In art conservation, the cleaning of a work of art often involves removing not only dirt and grime but also unwanted layers of varnish, gilding, and paint from the work's surface. The challenge for conservators lies in finding a cleaning agent that w...

Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of work that explored the expressive and emotional potentials of the medium. His drive to experiment wit...

The Spitz book of hours is one of the finest French manuscripts in the collections of the Getty Museum. It is also one of the most original and inventive manuscripts painted in the International style. "The Spitz Master", its primary illuminator, all...

This missal from the mid-12th century was used in the Church's liturgical rites. The major illuminated pages are reproduced along with a text that explains the iconography and historical context of the manuscript. The manuscript is one of the most vi...

This volume collects thirty-one papers by an international group of experts. Grouped into four topic areas: "Wood Science and Technology", "History of Panel-Manufacturing Techniques", "History of the "Structural Conservation of Panel Paintings", and...

J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the coll...

From antiquity, when the gods and goddesses were commonly featured in works of art, through to the twentieth century, when Surrealists drew on archetypes from the unconscious, artists have embedded symbols in their works. As with previous volumes in...

Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder" – well known for his signature mobiles and s...