"Heroic" is perhaps the only word to describe the Meissen porcelain animals made for the Elector of Saxony, Frederick-Augustus. They were commissioned in 1728 and modeled and executed by 1735. The great size of the figures presented many technical di...

This comprehensive bibliography of the Russian Modernist holdings of the Getty Research Institute for the History of Art and the Humanities comprises both published and unpublished material dating from approximately 1905 to 1941, an era that saw unpr...

Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues...

Light and darkness transform city buildings into surreal structures: an ordinary gray concrete building in plain daylight changes at night into a mysterious monolith or, under a blue-tinted lens, into an ethereal edifice. Swedish artist Carl Michael...

One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life – when he n...

The tradition of portraiture in Latin America is astonishingly long and rich. For over 2,000 years, portraits have been used to preserve the memory of the deceased, bolster the social standing of the aristocracy, mark the deeds of the mighty, advance...

If the closure of Modernist painting is taken as the closure of painting itself, then under the aegis of postmodernism, painting's history is a finite collection of fully legible styles up for being quoted. In this circumstance, the question arises o...

This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents – including statements, interviews, and manifestoes...

"Oh, do tell the American people that I am a normal man; that I am a devoted husband and father, that I have three fine children, that I go to the theatre". These words were spoken by Matisse just before the Armory Show in 1913 – a pivotal moment, af...

In the first decades of the twentieth century, the art critic Roger Fry introduced English-speaking audiences to modern French art and formalist aesthetic theory".A Roger Fry Reader", edited by Christopher Reed, brings together for the first time a c...