The first part of a four-volume set of art criticism by Richard Cork, written over a 30-year period. It offers a chronicle of a turbulent period as well as an overview and survey of British art and its reception at this time. This particular work add...

The fourth and final part of a four-volume set of art criticism by Richard Cork, written over a 30-year period. It offers a chronicle of a turbulent period as well as an overview and survey of British art and its reception at this time. This particul...

In 1886 Paul Cezanne left Paris permanently to settle in his native Aix-en-Provence. Nina M. Athanassoglou-Kallmyer argues that, far from an escapist venture like Gauguin's stay in Brittany or Monet's visits to Normandy, Cezanne's departure from Pari...

From its earliest history, Ireland has been contested land, claimed by waves of invaders, each attempting to inscribe and possess the island territory. The eire/Land exhibition, to be held at the McMullen Museum from February to May 2003, is the firs...

Not for sale in selected countries! Includes 2500 photographs of 50 faces – men and women of a variety of ages, shapes, sizes and ethnicities – each demonstrating a wide range of emotions and shown from multiple angles.

The Italian Renaissance was a creative period for art criticism as well as for art itself. The early efforts to give verbal accounts of visual representations and their quality throw light not only on art during the Renaissance but also on art critic...

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain". But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments i...

Not for sale in the Czech Republic and the Slovak Republic! Originally published in Czech in 2002 and now available in English, "Medieval Painting in Bohemia" assesses the history of painting in Bohemia and Moravia from the emergence of the Czech s...

With "The Invention of Art", Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention – that the lines drawn between art and craft resul...

During the decades from 1900 to 1940, art in France developed in ways that were of paramount importance to 20th-century art. This illustrated account sets these developments within the framework of the unstable social, political, intellectual and art...