Following in the footsteps of minimalist poets such as Aram Saroyan, James Davies finds new ways of making poetry. "Stack", a form of "list poem", offers a range of surprising interventions and modular combinations that reinvent poetry.

Following her 2013 debut "This is Yarrow" (winner of the Seamus Heaney Prize and the Shine / Strong Award), Tara Bergin returns with her second collection, "The Tragic Death of Eleanor Marx". The poems draw on folksong, fairytale and theatrical monol...

"Zoology" is Gillian Clarke's ninth Carcanet collection, following her T. S. Eliot Prize-shortlisted Ice. The collection opens with a glimpse of hare, whose "heartbeat halts at the edge of the lawn", holding us "in the planet of its stare". Within th...

Lorna Goodison is a poet alive to places, from the loved and lived-in world of Jamaica where she began and started a family, to the United States and Canada where she has made her teaching career, but always re-connecting with her Caribbean roots. Sh...

In "The Little Sublime Comedy" John Gallas reanimates one of the great works of world literature for the twenty-first century. Relocated from medieval Italy to modern-day New Zealand, Dante's "Divine Comedy" is given a new lease of life in Gallas's d...

Following her groundbreaking 2014 debut "An Aviary of Small Birds" ("technically perfect poems of winged heartbreak" – Observer), Karen McCarthy Woolf returns with Seasonal Disturbances. Set against a backdrop of ecological and emotional turbulence,...

Jorie Graham's new book is characteristically exhilarating and inventive, exploring the limits of the human and the dark seductions of the post-human.

"Set Thy Love in Order: New & Selected Poems" gathers the work of some thirty years, taken from Stephen Romer's four previous collections, along with a substantial selection of new poems. The title is a Dantesque imperative as old as the Trecento:...

Peter Hughes makes contemporary re-visions of Guido Cavalcanti's lustrous thirteenth-century Tuscan songs. In the spirit of Blackburn and Rodefer, Hughes channels alternative "translation methods", inviting us to reconsider these vital texts.

Teetering on the brink of various crises, Sinead Morrissey's poems consider spectacular feats of human engineering – ships, planes, robots – from our radically unstable perspective, struggling for poise. Poems become pliable; the dead speak.