This is the third "Selected Poems" by Edwin Morgan from Carcanet, but the first since 2000 and the first to cover the full range of his poetry from his first collection in 1952 to his last in 2010, the year of his death at the age of ninety. All his...

One of the central figures of twentieth-century Scottish literature, Edwin Morgan was a prolific letter-writer. His correspondence, like his poetry, is wide-ranging, full of generosity and enthusiasm, and above all a testament to his lifelong commitm...

No wonder Edwin Morgan is Scotland's best-loved poet. His poems teem with lives and loves and are marked by an unusual love of the present and the future. He finds forms for themes and ideas just out of reach. In his latest collection poems both prof...

Edwin Morgan's verse play translation of the Sumerian epic of Gilgamesh brings an ancient story to life in a supple, vigorous idiom that moves easily between ritual, comedy and moments of intense beauty. Here a god-king, a great city builder, learns...

Edwin Morgan was appointed Poet Laureate of Glasgow in 1999, and many of these poems reflect the life of the city both now and in the past. But equally the poetry moves to other places and other worlds. A sequence of poems about a demon allows the mi...

Edwin Morgan, Scotland's best-loved poet, returns to the stage after his celebrated Phaedra with a powerful and shocking millennial examination of the life of Jesus Christ as a man among men. Jesus, a human figure in an inhuman time, experiences all...

Edwin Morgan's original "Selected Poems" was published in 1985. It became something of a classic, selling in excess of 20,000 copies. But 1985 is a long time in the world of so inventive and irrepressible a writer as Edwin Morgan. He has published a...

"The first translations I made – from Verlaine, in 1937 – were naive attempts to convey the enthusiasm I felt for the sudden discovery of a foreign poet: Verlaine said something to me in his language which no poet in my own language had ever said bef...

Edwin Morgan "catches in full sight" in his lyric epiphanies, in the focus and refocus of sequences, the wily relocation of words in concrete poems, the weird rhythms of sound poems. His transforming imagination is democratic, generous and inclusive....