"Leaf Graffiti", Lucy Burnett's first collection, is restless, the poems always moving, playfully exploring the interface between words and things, rural and urban, nature and the human world. Fascinated by sequence, repetition and variation, the poe...

A chronicle of motherhood and infancy, Brady's "Mutability" marks the excesses of attention and love in this unique relationship, the gradual unfurling of one person into two. In poems and prose, these scripts offer a "model of duplicity", revealing...

In this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about langua...

In "The Crossing Fee" Iain Bamforth re-stages the odyssey of the legendary German hero who falls into a lake in the Black Forest and emerges in the China Sea. Circulating between Europe, the Philippines and Indonesia (where Bamforth worked for five y...

Chris Beckett grew up in 1960s Ethiopia, a country he describes as a "barefoot empire, home of black-maned lions... old priests decked out like butterflies and blazing young singers of Ethio-jazz". Ethiopia Boy plunges the reader into praise poems th...

Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of Yves Bonnefoy's celebrated work, "L'Arriere-pays", which t...

The spare and subtle poems of Nina Bogin's third collection map personal territory – places of memory and love as much as of language and geography. An American writing in her adopted France, in the eastern border region close to Switzerland and Germ...

"We Look Like This" anatomizes how history, violence, power, lust and mortality work on us. Burt's formal, muscular language evokes a world of war, want, cruelty and hope, as well as childhood among "tough Jews" in Philadelphia, dominated by his fath...

This authoritative collection of Baudelaire's complete verse highlights "Les Fleurs du mal" (1857), the defining poetry collection of the 19th century in France. It caused a scandal on its appearance, with six poems banned as offensive to public mora...

Baudelaire's prose poems had two working titles: "Petits Poemes en prose" (small prose poems) and "Le Spleen de Paris". Francis Scarfe's version of this title, argued for in his introduction, is "Paris Blues". Baudelaire wrote these pieces over many...