Nancy Au's debut collection is rich with scents, sounds, imaginative leaps, and unexpected angles of vision. These seventeen stories present the challenges facing characters whose inner and outer lives often do not align, whose spirits attempt flight...

Since World War II, the story of the trauma hero – the noble white man psychologically wounded by his encounter with violence – has become omnipresent in America's narratives of war, an imaginary solution to the contradictions of American political h...

In his first collection of poems, many of which were written during his years as a US Army Special Forces medic, Graham Barnhart explores themes of memory, trauma, and isolation. Ranging from conventional lyrics and narrative verse to prose poems and...

"The next day Wordsworth arrived from Bristol at Coleridge's cottage", William Hazlitt recalled, "He answered in some degree to his friend's description of him, but was more quaint and Don Quixote-like... there was a convulsive inclination to laughte...

"I think in pictures. Poems help me with this. They are like buoys in the sea. I swim to them, from one to the other. In between, without them, I am lost. They are the handholds where something masses together in the infinite expanse" – Anselm Kiefer...

The year is 1973. An Egyptian historian, Dr. Shukri, pursues a year of non-degree graduate studies in Moscow, the presumed heart of the socialist utopia. Through his eyes, the reader receives a guided tour of the sordid stagnation of Brezhnev-era Sov...

Using the same musical sense of language she applies to her translations, Nancy Naomi Carlson masterfully interprets herself in "An Infusion of Violets". The sometimes erotic, sometimes melancholy landscapes she creates as the self-appointed sitar's...

While presenting the Nobel Prize in Literature to J. M. G. Le Clezio in 2008, the Nobel Committee called him the "author of new departures, poetic adventure and sensual ecstasy, explorer of a humanity beyond and below the reigning civilization". In M...

In 1936, Walter Benjamin defined the revolutionary class as being in opposition to a dense and dangerous crowd, prone to fear of the foreign, and under the spell of anti-Semitic madness. Today, in formations great or small, that sad figure returns –...

When a young reader once asked Franz Fuhmann if he considered his work to be science fiction, he was quick to deny it: he wanted nothing to do with the genre. As he began writing the stories that make up this volume, however, he found himself coming...