How did artists of the twentieth century use their work to respond to their unique personal experiences and moment in history? This provocative question is explored in this engaging new book on American art. By focusing on broad, defining themes, emb...

Late in his career Thomas Gainsborough became preoccupied with the theme of the cottage door, and he created a group of paintings and drawings that show rustic figures clustered around the open door of a cottage set in a deeply wooded landscape. Ofte...

Born in New York in 1909, Milton Rogovin has been photographing coal miners since 1962, working first in Appalachia and later, in the 1980s, in Europe, Asia, South Africa, China, Mexico, and Cuba. Particularly in these later portraits he concentrated...

This extraordinarily beautiful book gathers together and examines for the first time a delightful collection of English gardens rendered by artists from 1540 to the early nineteenth century, many of which are unknown. Sir Roy Strong, widely recognise...

In the fifteenth century, a number of master painters, including Jan van Eyck and Roger Campin, flourished in the Netherlands. However, by the early nineteenth century many of their works had been dispersed by the upheavals of the French Revolution....

Stalking the streets of New York City at night alongside police detectives and barflies, the tough-talking, fedora-wearing, cigar-smoking photographer who called himself "Weegee" was ready at a moment's notice with his Speed Graphic to respond to the...

Through reportage photographs of people in the private and public environment, "Tunnels" explores the idea of isolation and the boundaries of knowing others and ourselves. Andre Principe's work is about emotions. In "Tunnels", the artist looks at lon...

In 1970, Marcel Broodthaers claimed that Mallarma is the source of all contemporary art. Those words serve as a departure point for the exhibition and catalogue, Art and Utopia. Based on Marcel Broodthaers's interpretation of and Mallarma's influence...

In "Mother Stone" Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their sha...

In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substant...