It is a comelling account of the origins of the world's most important museums. In the 18th and early 19th centuries the first modern, public museums of art appeared throughout Europe, setting a standard for the nature of such institutions that has m...

A discussion of the designs by Antonio Asprucci for the redecoration of the Borghese Palace as a semi-public museum. The author shows that the new designs not only created a unified space for the Count's extensive collection of Greek and Roman antiqu...