America Dancing
From the Cakewalk to the Moonwalk
The history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom-that nebulous, contested American ideal-emerges as a genre-defining aesthetic. In Pugh's account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, "America Dancing" demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.
About the Author
Megan Pugh has taught at the University of California, Berkeley, and Lewis and Clark College. Her writings on American art and culture appear frequently, and her poetry has been published in The Oxford American and VOLT among other publications. She lives in Portland, OR.
Reviews
"As signifying dancers, men and women fly out of this deep, long-nurtured book. In clear and sensual prose, Megan Pugh has fashioned a history of modern America in gestures and movement. The pages never hold still" – Greil Marcus, author of "The History of Rock 'n' Roll in Ten Songs and Real Life Rock"
"With her locomotive prose, virtuosic analysis, and acrobatic storytelling, Megan Pugh brings America's most dazzling dancers stair-tapping and moonwalking back to life. With profound historical insight, she also shows how these gravity-defying heroes made their highwire crossings – between 'high' and 'low' taste, between classes and races – only look like a cakewalk. America Dancing is more exhilarating, and more revealing, than cultural history has a right to be" – John Beckman, author of "American Fun: Four Centuries of Joyous Revolt"
"This history sizzles, glides, soars, skitters, hammers, taps, and leaps through decades as well as diverse dance forms, from the worlds of cinema to Broadway, ballet and beyond. An exciting, important book!" – Peggy and Murray Schwartz, authors of "The Dance Claimed Me: A Biography of Pearl Primus"
