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ISBN: PB: 9780300195552

Yale University Press

May 2014

288 pp.

25.4x20.3 cm

25 colour images, 125 black&white illus.

PB:
£40,00
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John Sloan

Drawing on Illustration

The American realist artist John Sloan (1871-1951) is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career – at newspapers like the Philadelphia Press and later for mass-market magazines – and which he pursued even after he turned his focus to painting. In "John Sloan: Drawing on Illustration", Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism

About the Author

Michael Lobel is associate professor of art history and director of the MA Program in Modern and Contemporary Art, Criticism and Theory at Purchase College, State University of New York. His publications include "Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art" (Yale) and "James Rosenquist: Pop Art, Politics and History in the 1960s", as well as numerous exhibition catalogue essays and articles in such publications as Art Journal, Artforum, Parkett and Art Bulletin.

Reviews

"'John Sloan: Drawing on Illustration' is a model of theoretical sophistication, graceful writing, depth of research, and brilliant analysis. Michael Lobel shows how Sloan negotiated the tension between painting and popular commodity imagery, modern and commercial models of creativity, and hand and mechanical production" – Jennifer L. Roberts, Harvard University