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ISBN: PB: 9780300163971

Yale University Press

February 2010

464 pp.

23.4x15.6 cm

16 black&white illus.

PB:
£35,00
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Sibelius

Informed by a wealth of information that has come to light in recent years, this engaging biography tells the complete story of the life and musical work of Finnish composer Jean Sibelius (1865-1957). Drawing on Sibelius's own correspondence and diaries, contemporary reviews, and the remarks of family and friends, the book presents a rich account of the events of the musician's life. In addition, this volume is the first to set every work and performable fragment by Sibelius in its historical and musical context. Filling a significant gap, the biography also provides the first accurate information about much of the composer's early music. Writing for the general music-lover, Andrew Barnett combines his own extensive knowledge of Sibelius's music with the insights of other scholars and musicians. He lays to rest a number of myths and untruths – that Sibelius wrote no chamber music of value, for example, and that he stopped composing in 1926 and never needed to compose to earn a living. Barnett completes the volume with the most thorough worklist available and an authoritative chronology of Sibelius's entire output.

About the Author

Andrew Barnett is founder and chairman of the UK Sibelius Society. He is project advisor to BIS Records' Complete Sibelius Edition and has advised and written extensively for the International Sibelius Festival in Lahti.

Reviews

"if an introduction to the composer's work is what you seek, then Andrew Barnett's book will provide as comprehensive a guide as you could hope for" – Simon Heffer, Literary Review

"Barnett, chairman of the UK Sibelius Society, redresses the balance" – Damian Thompson, Daily Telegraph

"Last year was the 50th anniversary of the death of Jean Sibelius, and if you're looking for a text accompaniment to all the festivals and CD releases, this could be it. Barnett... offers up formal and thematic analyses of everything Sibelius compsed from his student days up through the final works he destroyed... Scholars will no doubt love Barnett's thoroughness, and the musical examples and works list are invaluable resources in themselves. A good volume for your bookshelf" – Ian VanderMeulen, Symphony