art, academic and non-fiction books
publishers’ Eastern and Central European representation

Name your list

Log in / Sign in

ta strona jest nieczynna, ale zapraszamy serdecznie na stronę www.obibook.com /// this website is closed but we cordially invite you to visit www.obibook.com

ISBN: PB: 9781606063293

Getty Publications

August 2014

80 pp.

21.1x15.9 cm

20 colour illus.

PB:
£11,99
QTY:

Categories:

Colors of New World

Artists, Materials, and the Creation of the Florentine Codex

This is a penetrating glimpse into the first illustrated encyclopaedia of the New World. In August 1576, in the midst of an outbreak of the plague, the Spanish Franciscan friar Bernardino de Sahagun and 22 indigenous artists locked themselves inside the school of Santa Cruz de Tlaltelolco in Mexico City with a mission: to create the first illustrated encyclopedia in the New World. Today this twelve-volume manuscript is preserved in the Biblioteca Medicea Laurenziana in Florence and is widely known as the Florentine Codex. A monumental achievement, the Florentine Codex is the single most important artistic and historical document for studying the peoples and cultures of pre-Hispanic and colonial Central Mexico. It reflects both indigenous and Spanish traditions of writing and painting, including parallel columns of text in Spanish and Nahuatl and more than two thousand watercolour illustrations prepared in European and Aztec pictorial styles. This volume reveals the complex meanings inherent in the selection of the pigments used in the manuscript, offering a fascinating glimpse into a previously hidden symbolic language. Drawing on cutting edge approaches in art history, anthropology, and material sciences, the book sheds new light on one of the world's great manuscripts – and a pivotal moment in the early modern Americas.

About the Author

Diana Magalori Kerpel is professor at the Universidad Nacional Autonoma de Mexico.

Reviews

"The 16th-century 'Florentine Codex' is the principal document on the Nahua culture of Mesoamerica, written by Franciscan friar Bernardino de Sahagun in collaboration with native peoples, whose traditions and beliefs were vanishing. Many scholars have addressed the book's text, but Diana Magaloni Kerpel's project is unique. She approaches the Codex as a collaborative work of art, exploring the object's physical attributes and its authorship. The result is a novel interpretation, one that returns autonomy to the indigenous people who helped create the book. Accompanying her thesis are selected reproductions of the 2486 beautiful illustrations in the Codex, depicting midwifery, the fabrication of feather headdresses, history, myths, and animals" – ARTnews