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ISBN: PB: 9780300212518

ISBN: HB: 9780300188547

Yale University Press

June 2015

296 pp.

23.4x15.6 cm

32 black&white illus.

PB:
£16,99
QTY:
HB:
£25,00
QTY:

Categories:

World Without Jews

Nazi Germany, Representations of the Past, and the Holocaust, 1933-1945

Why exactly did the Nazis burn the Hebrew Bible everywhere in Germany on November 9, 1938? The perplexing event has not been adequately accounted for by historians in their large-scale assessments of how and why the Holocaust occurred. In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years was powerfully anticipated in the culture of the prewar years. The author shifts his focus away from the debates over what the Germans did or did not know about the Holocaust and explores instead how Germans came to conceive of the idea of a Germany without Jews. He traces the stories the Nazis told themselves – where they came from and where they were heading – and how those stories led to the conclusion that Jews must be eradicated in order for the new Nazi civilization to arise. The creation of this new empire required that Jews and Judaism be erased from Christian history, and this was the inspiration – and justification – for Kristallnacht. As Germans imagined a future world without Jews, persecution and extermination became imaginable, and even justifiable.

About the Author

Alon Confino is professor in the Department of History at the University of Virginia and at Ben Gurion University, Israel. A leading scholar of German memory and national culture, he is the author of three previous books. He lives in Charlottesville, VA.

Reviews

"A very original and persuasive account of the Holocaust. With style, imagination, and confidence, Confino has offered a telling critique of the reading of the Nazis as racial ideologues and shown how Nazi persecution was embedded in Christian imagery and memory" – Mark Roseman, Indiana University