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ISBN: PB: 9780226474960

University of Chicago Press

November 1990

746 pp.

23x15 cm

39 figures

PB:
£32,50
QTY:

Categories:

Naked Man

Mythologiques, Volume 4

Table of Symbols
Prologue

Part One: Family Secrets
1. The Hidden Child
2. Foolish Women and Wise Virgins

Part Two: Echo Effects

Part Three: Scenes from Private Life
1. The Lewd Grandmother
2. In Death as in Life
3".... These Twin Mirrors"

Part Four: Scenes of Provincial Life
1. Soluble Fishes
2. The Market Place
3. The Noisy Scullion
4. The Proper Use of Excrement

Part Five: Bitter Knowledge
1. The Visit to the Sky
2. The Two Blind Hags
3. Cosmopolitanism and Exogamy

Part Six: Going Back to the Sources
1. Fire and Rain
2. Junctions

Part Seven: The Dawn of Myths
1. Binary Operators
2. One Myth Only

Finale
Bibliography
Index of Myths
General Index

About the Author

French anthropologist and ethnologist, and has been called, along with James George Frazer, the "father of modern anthropology". His works include the four volumes of "Mythogiques", "The Savage Mind", "Structural Anthropology II", "The Jealous Potter", and (with Didier Eribon) "Conversations with Claude Levi-Strauss", all published by the University of Chicago Press.

Reviews

"'The Naked Man' is the fourth and final volume [of 'Mythologiques'], written by the most influential and probably the most controversial anthropologist of our time... Myths from North and South America are set side by side to show their transformations: in passing from person to person and place to place, a myth can change its content and yet retain its structural principles... Apart from the complicated transformations discovered and the fascinating constructions placed on these, the stories themselves provide a feast" – Betty Abel, Contemporary Review

"Levi-Strauss uses the structural method he developed to analyze and 'decode' the mythology of native North Americans, focusing on the area west of the Rockies... [The author] takes the opportunity to refute arguments against his method; his chapter 'Finale' is a defense of structural analysis as well as the closing statement of this four-volume opus which started with an 'Ouverture' in 'The Raw and the Cooked'" – Library Journal

"The culmination of one of the major intellectual feats of our time" – Paul Stuewe, Quill and Quire